10/09 Painting California Landscapes & Seascapes in Oil Workshop
Capturing the golden hills, meadow and grasslands, distant treelines and Coastal vistas will be the focus of this oil painting workshop. The class will yield several paintings over a 2 day period.
Description
Capturing the golden hills, meadow and grasslands, distant treelines and Coastal vistas will be the focus of this oil painting workshop. The class will yield several paintings over a 2 day period. As reference to paint from, Douglas will provide photos from places such as Stanford Dish Nature Trail, Badlands Nature Preserve and Pearson-Arastradero Preserve, East Cliff and Greyhound Rock Beach and Coastal Access near Santa Cruz. Class will cover the basic principles of oil painting with regard to landscape painting. Whether just starting out or a seasoned painter, sound principles are a key foundation. Discussions and lectures on composition, massing, building form, light and shadow, developing atmospheric distance and depending on your own style, knowing when a work is finished (learning how to not overwork your painting). Students will work in their own style/technique so that the finished work is their own. Douglas will overview his palette and concepts his work entails. Students will work on studies and the emphasis will be on capturing the time of day, atmosphere and geographical elements in a quick concise way based on the covered principles. Getting the right values while getting the California colors correct will be a major focus of this workshop.
Depending on the skill level of each student, students are able to grow and develop at a rate that is to their comfort. Demos and individual discussions/instruction will help each student to begin to reach the preliminary goals they are striving to meet. Douglas will be able to assist students with mixing and will review individual students a few times during each session or set up. Plan to produce several studies and at least one or two larger more finished paintings, depending on skill level. Plan to bring notebook/sketchbook and enjoy some demos along with some great stories to help you remember these principles that are the foundation of Douglas’ teaching. A small informal group show on easels in our class will end the class on a high note as we share our accomplishments in this condensed time of study. Brown bag lunch is the best way to keep the momentum and flow going over the 2 days of the workshop.
About the Instructor
Douglas David has painted his way across the country, capturing the beauty and spirit of the things he loves–tranquil country landscapes, sunrises and sunsets on his favorite beaches, a simple pitcher of spring lilacs or peonies, a slice of watermelon on a checkered tablecloth. His paintings are beautiful, simple and timeless. After graduating with honors from Herron School of Art, Indiana University, Douglas went on to study for a number of years with Frank Mason, famed instructor from the Art Students League of New York and student of Frank Vincent DuMond. A recipient of numerous regional and national awards and honors, Douglas is a member of many art associations and clubs including Hoosier Salon, Naples Art Association, Palette & Chisel Academy of Fine Arts, Salmagundi Club and Southern Vermont Arts Center.
Douglas’s teaching is a way of giving back and sharing some of his journey with those who choose to study with him. He loves to share insights into the DuMond Palette with his students and bases all of his teachings on classic principles. Douglas’s work has been chosen for many private and public collections, including the Vice President’s residence, the United States Embassy to Sierra Leone, and most recently, by request of Ambassador Donnelly, the United States Embassy to the Holy See (Vatican City). For more detailed information, visit www.douglasdavid.com.
Supply List
These are not absolute, just my way of getting to a good result
Paint
- Yellow Ochre 40 ml
- Cad Red Hue 40 ml
- Crimson Alizarin 40 ml
- Terre Verte 40 ml
- Sap Green 40 ml
- Ivory Black 40 ml
- Yellow Green 40 ml
- Lemon Yellow 40 ml
- Phalo Blue 40 ml
- Phalo Green 40 ml
- Ultramarine Blue 40 ml
- Utrecht oil Prussian Green 37 ml
- Permalba oil White 150ml
- Utrecht acrylic Cad Red Hue 59 ml
- Utrecht acrylic Titanium White 59 ml
Brushes
- Princeton Brush Set 9118
- White Gesso Brush 1" Quantity 2
- White Gesso Brush 2" Quantity 2
Canvases
- Canvas 5x7/Quantity 2
- Canvas 8x10/Quantity 2
- Canvas 10x20/Quantity 1
- Canvas 12x16/Quantity 1
Other
- Palette Knife 132
- Palette Cup
- W&N Liquin 75ml
- Richeson Palette Paper 9x12
- Disposable Gloves Large
- Turpenoid 8 oz
- Plastic Jar with lid 16 oz
And anything else student needs to help them paint well and feel comfortable.
Please prime all canvas with a thin coat of thinned down Cad Red light and Titanium White Acrylic to make a pink or light red salmon tone on canvas. (You can paint oil over acrylic but can’t paint acrylic over oil.) Douglas has a “suitcase of supplies” he brings along, it includes some recommended books, and some supplies in case a few students need a few items that are forgotten.