05/29 Intro to Alla Prima Portrait Painting Workshop

Students will work from a live model each day, beginning and completing a new portrait during each session.

Description

This workshop will explore the exciting and spontaneous method of painting portraits in a single sitting, known as Alla Prima, which translates to “at first attempt.” Students will work from a live model each day, beginning and completing a new portrait during each session. The focus will be on capturing likeness and emotion quickly, using bold, expressive brushstrokes and confident color choices.

Through hands-on practice, students will develop their skills in observation, composition, and oil painting technique, while learning to embrace the immediacy and energy of direct painting.

Open to all levels—from complete beginners to experienced painters—this class offers a supportive environment to paint fearlessly and grow artistically.

To ensure that each student receives ample individual attention, this workshop is limited to a maximum of 8 participants.

About the Instructor

Dustin Adamson (b. 1987) is an emerging American artist trained in the classical tradition of painting and drawing. Dustin has a strong interest in the art and techniques of the old masters, from the Renaissance to the nineteenth century. After graduating in 2010 from with Distinction from San Diego State University, he began to study figurative drawing, painting, and sculpture with Justin Hess and Alicia Ponzio and human anatomy with Noah Buchanan. After studying for several years in the Bay Area he moved to New Jersey and studied at the Florence Academy of Art US. There he studied intensively an academic curriculum grounded in the 19th-century classical-realist tradition.

During his studies at the Florence Academy of Art US, Dustin received numerous awards and scholarships; including an award for Painting of the Year and the position of teaching assistant.

Supply List

Paint Colors
I recommend using an Artist grade paint like Gamblin, Windsor Newton, Michael Harding, etc. 

Required Colors These represent a classical, limited palette. I recommend this if you’re
not comfortable with or new to color mixing/ theory.
- Titanium White
- Yellow Ocher
- Venetian Red or Cadmium Red Light
- Ivory Black
- Raw Umber

Optional Colors These represent a modern, extended palette that will allow further
exploration of color. Best if you are comfortable with color mixing and want a little more
chroma in your flesh-tones.
- Cadmium Yellow Medium or Hansa Yellow Medium
- Cadmium Orange
- Alizarin Crimson
- Ultramarine Blue or Cobalt Blue
- Chromium Oxide Green

Other Painting Supplies
- Gamsol or similar Odorless Mineral Spirit, 8oz (No Turpentine)
- Linseed Oil, 4oz
- Silicoil Jar for cleaning brushes
- Palette Cup for painting medium (Glass or metal with lid)
- Palette, Disposable Paper Palette or Wooden Palette approximately 12”x16”
- Sta-Wet Palette Seal (Blue Lid) or Tupperware to transport your wet paint palette to and from class
- Paper Towels or Lint-Free Rag
- Palette knife, tear-drop shape with approximately a 1.5”-2” blade for mixing

Paint Surface
- Two 12”x16” Canvases (Either stretched canvas or canvas panels)

Brushes
- Several Long-Handled Flat or Filbert (Synthetic or Natural Hog) These will be stiffer and range from small to large. I recommend Princeton Ashley size 2, 4, 6, and 8. If you can, get a couple of sizes 2 and 4
- One or two Short-Handled Round. A synthetic sable for details. A simple Princeton Select size 3 or 4 will do.

Recommended Art Stores
- California Art Supply, San Mateo
- University Art, Redwood City
Both stores will offer you a student discount if you let them know that you are taking a class at Pacific Art League.


California Art Supply, San Mateo
University Art, Redwood City
Both stores will offer you a student discount if you let them know that you are taking a class at
the Pacific Art League.

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