In progress: Watercolor: Exploring Wet-on-Wet Technique
This 6-week class invites artists of all levels to explore how water and pigment interact to create soft transitions, luminous layers, and unexpected textures. Whether you’re just starting out or refining your skills, this class will help you gain confidence and freedom in your painting process.
Description
Discover the beauty, flow, and spontaneity of watercolor painting through the expressive wet-on-wet technique. This 6-week class invites artists of all levels to explore how water and pigment interact to create soft transitions, luminous layers, and unexpected textures. Whether you’re just starting out or refining your skills, this class will help you gain confidence and freedom in your painting process.
Each session will include a short demonstration, guided exercises, and time for personal exploration. We’ll focus on how to balance control and unpredictability—the magic at the heart of watercolor.
Week 1 : Getting Comfortable with Water
Learn how to control and understand the behavior of water and pigment. Explore paper types, brushes, and timing while creating simple studies that emphasize flow and transparency. Simple sky studies will introduce blending, soft transitions, and lifting techniques.
Week 2 : Clean Color, and Controlled Dark Values
This week focuses on adding darker values into wet washes without creating muddiness. Students will practice warm and cool color interactions, develop soft-edge awareness, and study water surfaces and reflections to refine timing and clarity.
Week 3 : Botanical Studies and Subtle Color Transitions
Students will apply wet-into-moist methods to create natural gradients and volume within form. Emphasis will be placed on warm/cool layering, controlled color charging, and preserving luminosity in botanical subjects.
Week 4 : Soft Textures and Fur Techniques
Through animal studies—specifically cats—students will learn to create soft textures and dimensional fur using controlled wet-on-wet layers. Techniques will include gentle pigment blending with a secondary soft brush and careful placement of darker tones within wet shapes.
Week 5 : Portraits and Advanced Soft-Edge Development
As the most advanced segment of the course, this week introduces wet-on-wet portrait techniques. Students will practice creating smooth skin transitions, establishing subtle shadows, and refining facial features while the paper remains in the optimal moisture stage.
Week 6: Bringing It All Together
Work on a final painting that combines everything you’ve learned. Individual guidance will help you refine your personal approach and develop confidence in your unique watercolor voice.
About the Instructor
Originally from Ukraine, Natalia moved to the U.S. with a Ph.D. in Economics. After volunteering and a job in IT, she found her passion for creativity and art. Fashion illustration and Design was the starting point for her art career, taking classes at New York’s Fashion Institute of Technology, Parsons, and Stanford University.
With this experience in commercial illustration, she began to explore the world of fine art. Natalia is interested in art as a communication tool by creating works as a spiritual experience that reflects personal transformation and heals during and after life-changing events.
In artistic practice, Natalia uses watercolor in the author's multilayer technique. The brushstrokes are created by using the masking fluid that creates a barrier for the paint. Along with watercolor painting, she works with such media as sketches, portraiture and soft pastel.
Natalia Shevchenko has exhibited at the de Young Museum (San Fransisco, CA), Startup Art Fair (San Fransisco, CA), Los Altos Rotary Art Show (Los Altos, CA), Pacific Art League (Palo Alto, CA), and other venues in North California.
Natalia has been commissioned for art projects by companies such as Merit Beauty and Diptyque.
Supply List
- Big round brush
- Medium size rounds brush
- Very small detail brush
- Spray bottle
- Watercolor paints, preferably in *tubes* (any semi-professional grade watercolor will do) (Van Gogh, Cotman in tubes only, Daniel Smith, Winsor and Newton, Rembrandt, Holbein, Schmincke)
- Palette (plastic or white regular plate)
- Painting board
- Masking tape
- Hard Pencil
- Kneaded eraser
- Regular eraser
- Small sketchbook and a pen/marker for value studies
- Paper Towel
- Water jar